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Visual Arts, The: A History (Combined), 7/E
ISBN-10: 0131935070
ISBN-13: 9780131935075
Publisher: Pearson
Copyright: 2006
Format: Paper; 992 pp
Published: 05/26/2005
We're sorry, this product is no longer available and has been replaced with Visual Arts, The: A History, Revised Edition, 7/E.
Please contact your Pearson rep if you are using this product and need instructor resources.
Description
This new edition is an authoritative and provides a balanced account of the history of art. It presents art history as an essential part of the development of humankind, encompassing the arts of Asia, Africa, Oceania, Europe, and the Americas-spanning from the primitive art of hunters 30,000 years ago to the most controversial art forms of today.
Features
NEW–More visual presentation with newly replaced or new images totaling 1460 pictures, with 700 in color and 760 in b/w, plus 20 colour maps and 123 line drawings.
~Presents students with visual appeal by illustrating concepts with reflective works and pictures throughout the text, in context with what they are reading.
NEW–Introduction features a newly added work by Lavinia Fontana, female portraitist of the 16th century/early 17th century.
NEW–Ch. 1, Cave and Mesolithic art, offers 330 extra words of text
~Gives students a complete overview of this interesting, important topic.
NEW–Ch. 12 features updated Aztec material, two new Aztec images, and 1,070 extra words of text to be added.
~Offers students a clearly written and visually presented overview.
NEW–Ch. 14 adds a work by Canova, plus accompanying discussion, and 220 extra words of text.
~Offers students a concise yet thorough exploration of this work.
NEW–Ch. 19 revises the discussion of Malevich in response to reviewer comments, adds an exhibition photograph of 1915, and includes 60 extra words of text.
~Clarifies the discussion of Malevich further for students, and adds more visual appeal to this chapter.
NEW–Ch. 20 adds a Sources and Documents box: Between the Two World Wars, featuring discussion on Walter Benjamin and the relation between art and photography, plus 640 new words of text.
~Offers a highly visual presentation of this topic to draw students into the material.
NEW–Chapters 21 and 22 have been reorganized to form a more coherent narrative, updated to include even more recent material, and expanded by 16 pages. Chapter 21 includes 13 replacement or new images; and Chapter 22 includes 19 replacement or new images.
~Reorganizes information to make it easier for students to comprehend and for instructors to present; and adds visual flair with newly replaced–or new–images in both chapters.
NEW–Improved Timelines; an updated Bibliography; and modern/contemporary art terms added to the Glossary.
Starter Kit/User Guide–A seven-page guide at the front of the text.
~Enables students to easily find useful information for analyzing art works.
Urban Development boxes–Covering Ancient Greek, Medieval, and late 20th Century urbanism.
~Helps students gain perspective about the factors surrounding the development of artistic production at different times and places.
Current coverage–and many illustrations of contemporary art–Includes the latest developments in the research of non-western and western art.
~Keeps students up-to-date on new issues and important discoveries, and presents them with current photographs of some of today's most exciting artistic finds.
Maps–Over 20 current, colorized maps from around the world.
~Provides students with state-of-the-art, vibrant maps to enhance and supplement their learning.
A Strong introduction–Presents a full account of the techniques and practices of painting, building, modeling, carving, color, and systems of perspective.
~Gives students a firm foundation of artistic concepts critical to understanding the subject at hand.
Coverage of western and non-western art–In each major part of the text.
~Gives students the information needed to compare and contrast art through differing cultures.
Women artists–Discusses women artists and the problems they have faced in the male-dominated societies of their times.
~Provides instructors with an inclusive survey of women's roles in art history, making it unnecessary to use other sources; gives students perspective regarding the role of women in the historical development of art.
Boxed inserts–Sources and Documents, In Context, and Concepts boxes.
~Helps students with learning the material by providing extensive pedagogy.
Timecharts–Included in all chapters.
~Gives students a handy visual reference to help chart the progression of world art throughout the ages.
Over 1400 superb illustrations–Including full-color plates, maps, diagrams, and architectural plans.
~Heightens students' interest and complements the text narrative by providing a visual dimension to the information presented.
New To This Edition
More visual presentation with newly replaced or new images totaling 1460 pictures, with 700 in color and 760 in b/w, plus 20 colour maps and 123 line drawings.
~Presents students with visual appeal by illustrating concepts with reflective works and pictures throughout the text, in context with what they are reading.
Introduction features a newly added work by Lavinia Fontana, female portraitist of the 16th century/early 17th century.
Ch. 1, Cave and Mesolithic art, offers 330 extra words of text
~Gives students a complete overview of this interesting, important topic.
Ch. 12 features updated Aztec material, two new Aztec images, and 1,070 extra words of text to be added.
~Offers students a clearly written and visually presented overview.
Ch. 14 adds a work by Canova, plus accompanying discussion, and 220 extra words of text.
~Offers students a concise yet thorough exploration of this work.
Ch. 19 revises the discussion of Malevich in response to reviewer comments, adds an exhibition photograph of 1915, and includes 60 extra words of text.
~Clarifies the discussion of Malevich further for students, and adds more visual appeal to this chapter.
Ch. 20 adds a Sources and Documents box: Between the Two World Wars, featuring discussion on Walter Benjamin and the relation between art and photography, plus 640 new words of text.
~Offers a highly visual presentation of this topic to draw students into the material.
Chapters 21 and 22 have been reorganized to form a more coherent narrative, updated to include even more recent material, and expanded by 16 pages. Chapter 21 includes 13 replacement or new images; and Chapter 22 includes 19 replacement or new images.
~Reorganizes information to make it easier for students to comprehend and for instructors to present; and adds visual flair with newly replaced–or new–images in both chapters.
Improved Timelines; an updated Bibliography; and modern/contemporary art terms added to the Glossary.
Table of Contents
Contents
Preface ix
Introduction 2
Art as Craft 2
Systems of Building 3
Sculptural Techniques and Materials 3
Painting Techniques and Materials 5
Print-making 7
Photography 9
Pictorial Representation 9
Perspective 9
Color 11
Style and Individual Expression 13
Context: Function and Meaning 14
The Power of Images 16
Women Artists 18
The History of Art 20
Part One
Foundations of Art
Chapter One
Before History 24
Timechart 24
The Art of the Hunters 25
Map Prehistoric Europe and the Near East 26
Cave Art 27
Mesolithic Art 33
The Art of Farmers 33
In context Çatal Hüyük: A Neolithic Town 34
Neolithic Architecture 37
Stonehenge 38
Chapter Two
The Early Civilizations 40
Timechart 40
Mesopotamia 41
Sumer 41
Map Ancient West Asia 43
Akkadian Art 45
Ziggurats 46
Sources and Documents Gudea’s Dream 47
Babylon 48
The Indus Valley 49
Ancient Egypt 52
Predynastic 52
Map Ancient Egypt 53
Early Dynastic 54
Old Kingdom Architecture 55
Sources and Documents Ancient Egyptian Pyramid Texts 58
Old Kingdom Sculpture and Painting 59
Middle Kingdom 63
The Aegean 65
Map The Ancient Aegean 65
Minoan Crete 66
Mycenae and the Mainland 71
In Context The Homeric World 74
China 75
Shang Dynasty 75
Map Ancient China 76
Chapter Three
Developments Across the Continents 80
The Hittites 80
Timechart 80
The Discovery of Iron 82
Map Anatolia, Syria and Mesopotamia 83
The New Kingdom in Ancient Egypt 83
Sources and Documents Thutmose Instructs his Vizier 85
In Context Hatshepsut: Women in Ancient Egypt 86
New Kingdom Architecture 88
Akhenaten 90
Ramesside Art 93
Assyria and Babylon 95
Narrative Relief 98
Babylon 100
Iran 102
Achaemenid Art 102
Persepolis 104
Zhou China 106
The Americas 109
Map Ancient Mesoamerica 109
The Olmecs 110
Peru 111
Map Ancient Peru 112
In Context Chavín de Huántar: Religion and Society, in Ancient Peru 113
Africa: Nok Culture 115
Chapter Four
The Greeks and Their Neighbours 116
Timechart 116
Archaic Greece 117
Map Ancient Greece 118
The Male Nude 121
The Polis 125
The Classical Period 126
The Parthenon 126
Sources and Documents Pausanias on the Parthenon 128
In Context The Delphi Charioteer: Ancient Greek Religion and Athletics 134
Naturalism and Idealization 138
Concepts The Ideal: Idealism, Proportion and the ‘Canon’ 139
Vase Painting 143
Stelae 145
The Late Classical Period 146
Barbarian Alternatives: Scythians and the Animal Style 149
Urban Development Organic Growth and Urban Planning from Jericho to Athens 150
Hallstatt and La Tène 154
Iberia and Sardinia 156
The Etruscans 157
Sources and Documents Pliny on Etruscan Sculpture 161
Chapter Five
Hellenistic and Roman Art 165
Timechart 165
Map Etruscan and Roman Italy 167
The Hellenistic Period 167
Plato, Aristotle and the Arts 169
Allegory 173
Hellenistic Architecture 175
Hellenistic and Roman Painting and Mosaics 178
In Context Roman Luxury: Silver and Cameo Glass 179
Sources and Documents Vitruvius on Roman Painting 183
Roman Architecture 185
Domestic Architecture 186
Temples and Public Works 187
Urban Development The Roman City: From the Republic to the Late Empire 188
The Colosseum and the Invention of Concrete 191
The Pantheon 193
Roman Sculpture 195
Towards a Definition of Roman Art 196
In Context Family Piety: The Roman Portrait Bust 200
Late Antique Art 207
Part Two
Art and the World Religions
Chapter Six
Buddhism, Hinduism and the Arts of South and East Asia 216
Timechart 216
Buddhist Art in India 219
Map India 219
In Context The Life of the Buddha: Scriptures and Images 222
The Image of Buddha 224
Hindu Art in India 230
Concepts The Divine: From Apollo to Vishnu 233
In Context Ellora: An Architect—Sculptor’s Summit 237
Sources and Documents Konarak Temple Building Accounts 238
Buddhist and Hindu Art in Sri Lanka and Java 244
Map South-East Asia 244
Buddhist and Hindu Art on the South-east Asian Mainland 249
Confucian, Daoist and Buddhist Art in China 255
Han Dynasty 255
In Context Confucius: Han Relief Carving 258
Tang Dynasty and the Five Dynasties 265
Song Dynasty 268
Landscape Painting 272
Shinto and Buddhist Art in Japan 277
Sources and Documents The Nihongi on the First Buddhist Images in Japan 279
The Heian, Fujiwara and Kamakura Periods (794—1333) 282
Sources and Documents Lady Murasaki on Calligraphy 285
Chapter Seven
Early Christian and Byzantine Art 288
Timechart 288
The Beginnings of Christian Art 289
In Context The Catacombs: Early Christian Art 292
From Domus Ecclesiae to the Christian Basilica 294
The Image of Christ 297
Sources and Documents Agnellus on S Apollinare Nuovo 300
Ravenna 303
Byzantine Art 306
Ecclesiastical Architecture 306
Map The Byzantine World 307
Hagia Sophia 307
Urban Development Constantinople: The Creation of a Christian Imperial Capital City 308
The Classical Tradition 313
Icons and Iconoclasts 315
The Triumph of Orthodoxy 316
In Context The Virgin: The First Images 318
Christian Art in Northern Europe 320
Interlace and Illumination 322
Christian Art in Western Europe 324
The Carolingian Renovatio 326
Sources and Documents Einhard on the Palatine Chapel 327
In Context Monasticism: East and West 328
Developments in Christian Imagery 329
Chapter Eight
Early Islamic Art 333
Timechart 333
Map The Islamic World 334
Umayyad Art and Architecture 336
Sources and Documents The Byzantine Ambassadors Visit Baghdad 341
Abbasid Art and Architecture 342
Islamic Spain 345
Samanid and Seljuk Architecture 348
Islamic Decoration 349
In Context The Madrasa: Architecture for Education 350
Part Three
Sacred and Secular Art
Chapter Nine
Medieval Christendom 356
Timechart 356
Map Western Europe and the Middle Ages 358
Ottonian Art 359
Romanesque Architecture in Italy 362
Romanesque Art and Architecture in Northern Europe 366
Innovations in Romanesque Architecture 373
Gothic Art and Architecture 375
Sources and Documents Abbot Suger Finds Columns and Beams for St-Denis 376
In Context The Gothic Cathedral: The New Jerusalem 378
High Gothic 380
Stained Glass and Flying Buttresses 381
Urban Development Medieval Towns: Commercial Prosperity and Civic Pride 382
Economics and Theology 387
Sources and Documents Abbot Haymo and the ‘Cult of the Carts’ at Chartres 387
Sculpture and Painting 388
English and German Gothic 391
Sources and Documents Piers Plowman on Stained Glass and Opus Anglicanum 392
Italian Gothic 393
In Context St Francis and St Clare 396
Giotto 403
Sources and Documents The Monks in Padua Complain about the Scrovegni Chapel 405
Secular and International Gothic 408
Chapter Ten
The Fifteenth Century in Europe 416
Timechart 416
The Beginnings of the Italian Renaissance 417
Map Renaissance Italy 418
Brunelleschi 418
Masaccio 420
‘Progress’ in Sculpture 421
A New Style in Flanders 424
Van Eyck and van der Weyden 424
In Context The Ghent Altarpiece: Jan van Eyck and his Patrons 426
Sources and Documents Bartolommeo Fazio on Jan van Eyck 430
Architecture in Italy 430
Alberti 431
Sculpture in Italy 433
Donatello 433
New Departures 434
Italian Painting and the Church 438
Fra Angelico, Uccello and Piero della Francesca 439
Sources and Documents Filippino Lippi and Filippo Strozzi: Financial and other Problems over the Strozzi Chapel 441
Secular Painting 443
Botticelli 445
The Venetian Synthesis 449
Mantegna and Bellini 449
International Humanism 453
Dürer 453
In Context Bellini and Carpaccio: Corporate Patronage in Renaissance Venice 454
Chapter Eleven
The Sixteenth Century in Europe 457
Timechart 457
Reform and Early Sixteenth-century Art in the North 458
Hieronymus Bosch 460
Grünewald 461
Protestant Art 463
The High Renaissance in Italy 466
Leonardo da Vinci 466
Harmony, Unity and Raphael 469
In Context Bramante’s Tempietto: Alberti, Leonardo and the Ideal Renaissance Church 472
Michelangelo 474
Sources and Documents Michelangelo’s David: Contract and Installation 475
The Venetian High Renaissance 485
Urban Development Renaissance Urbanism: The Rome of Sixtus V 486
Giorgione 488
Titian 489
Tintoretto and Veronese 492
Sansovino, Palladio and the Laws of Harmony 493
Sources and Documents Veronese’s Interrogation by the Inquisition 494
Mannerism and Mannerisms 497
Correggio and Mannerist ‘Licence’ 497
Pieter Bruegel the Elder 502
El Greco 503
In Context Pieter Bruegel’s Months: Patronage in Flanders 504
Chapter Twelve
The Americas, Africa and Asia 507
Timechart 507
Mesoamerica and Peru 508
Map Pre-Columbian Mesoamerica 509
The Maya, Toltecs and Mixtecs 510
The Incas 516
The Aztecs 517
Sources and Documents Cortés and Dürer on Mexico and Montezuma’s Treasure 517
Africa 519
Map Africa 519
Sources and Documents Dapper on Benin 523
The Islamic World 524
Ottoman Architecture 528
Safavid Art and Architecture 529
Urban Development Isfahan and Samarkand: Islamic Urban Design 534
Mughal Art and Architecture 536
In Context Nur-Jahan and Jahangir: Art at the Mughal Court 540
Sources and Documents Domingo Paes on Vijayanagar 544
China 545
The Yuan Dynasty 545
The Ming Dynasty 549
Sources and Documents Dong Quichang on Painting: The Study of Nature and Old Masters 555
Japan — Kamakura to Edo 556
Map Japan 557
The Influence of Zen Buddhism 558
In Context Namban Screens: The Japanese Encounter with Europeans 562
Chapter Thirteen
The Seventeenth Century in Europe 567
Timechart 567
New Beginnings in Rome 568
concepts Nature, Imitation and Invention: The Formation of Academic Theory 570
Baroque Art and Architecture 571
Rubens and van Dyck 572
In Context The Jesuit Missions: Evangelization and Colonization 576
The Easel Painting in Italy 578
Bernini 580
Borromini 583
Poussin and Claude 585
Velásquez 588
Sources and Documents Pacheco on Art in the Service of Religion 590
Dutch Painting 591
Hals 591
Rembrandt 592
Landscape 595
In Context Rembrandt’s ‘Hundred-guilder Print’: The Development of Graphic Processes 596
Still Life and Genre 600
Vermeer 602
England and France 603
Chapter Fourteen
Enlightenment and Liberty 607
Timechart 607
French Rococo Art 608
Watteau, de Troy and the Rococo Interior 609
Boucher, Chardin and Fragonard 612
Sources and Documents Diderot on Boucher, Greuze and Chardin 612
In Context Fragonard and Greuze: Sex Objects and Virtuous Mothers 614
The Rococo in Germany and Italy 616
Tiepolo, Guardi and Canaletto 619
English Sense and Sensibility 622
Hogarth and Gainsborough 622
Landscape and Classicism 623
Neo-Classicism, or the ‘True Style’ 627
Sources and Documents Washington and Jefferson: Antique versus Modern Dress 629
Canova and David 630
Part Four
The Making of the Modern World
Chapter Fifteen
Romanticism to Realism 636
Timechart 636
Urban Development Factories and Public Parks: Owen, Nash and Olmsted 638
Romanticism 640
The Heirs of David 642
Goya 644
Géricault 646
Ingres 647
Delacroix 648
Sources and Documents Heine on Delacroix’s Liberty Leading the People 651
Romanticism and Philosophy 651
Friedrich 651
Blake 652
Romantic Landscape Painting 653
Constable 653
Turner 654
In Context Turner’s Slave Ship: Images of Slavery 656
Corot and the Etude 658
Photography 659
In which Style should We Build? 662
Sources and Documents Pugin on the Principles of Christian Architecture 664
Historicism and Realism 665
The Pre-Raphaelites 666
Courbet 666
Concepts Art for Art’s Sake: Aestheticism versus Realism 668
Millet 669
Manet 670
Sources and Documents Baudelaire: ‘What is the good of criticism?’ 670
The USA 674
In Context Caleb Bingham’s Fur Traders: Art and the Frontier 678
Photography comes of Age 681
Chapter Sixteen
Eastern Traditions 686
Timechart 686
Qing-dynasty China 687
In Context Wang Hui and Others, Portrait of
An Qi: Painters and Patrons under the Qing Dynasty 689
Architecture and the Decorative Arts 690
Japan in the Edo Period 693
Hokusai and Hiroshige 695
Sources and Documents Hokusai and Frank Lloyd Wright on the Japanese Print 698
Chapter Seventeen
Impressionism to Post-Impressionism 700
Timechart 700
Impressionism 701
Monet 704
Sources and Documents Laforgue on Impressionism 705
Morisot, Renoir and Manet 705
In Context Degas and Manet: City Lights and the Exploitation of Women 708
Degas 710
Japonisme 712
Neo-Impressionism 715
Seurat, Divisionism and Socialism 715
Symbolism 717
Gaugin and van Gogh 718
Allegories of Modern Life: Munch and Rodin 720
Art Nouveau and the New Architecture 723
Sullivan and the Skyscraper 725
In Context The Crystal Palace and the Statue of Liberty: Metal and New Building Methods 726
Domestic Architecture 728
Cézanne 729
Sources and Documents Cézanne to Emile Bernard 730
Chapter Eighteen
Indigenous Arts of Africa, the Americas, Australia and Oceania 734
Timechart 734
Oceania 736
Map Oceania 736
Polynesia 736
Sources and Documents Captain Cook and the Arts of the Pacific 739
Melanesia and Micronesia 742
Australia 744
The North American North-West
Coast 746
In Context A Shaman’s Mask: Art and the Supernatural 748
The Plains and the Arid Lands of North America 750
Africa 752
In Context A Complex Legacy: The European Presence in African Art 756
Part Five
Twentieth-Century Art and Beyond
Chapter Nineteen
Art from 1900 to 1919 768
Timechart 768
New Ways of Looking 769
In Context Picasso’s Demoiselles: Anarchism, Colonialism and Art as Exorcism 772
The Fauves and Expressionism 774
Matisse 775
The German Expressionists 776
Kandinsky 779
Sources and Documents Kandinsky on Color 780
Marc 781
Cubism 782
Picasso and Braque: Analytical and Synthetic Cubism 782
Sources and Documents Braque and Picasso on Cubism 785
Orphic Cubism 789
Futurism 790
Abstract or Non-Objective Art 793
Suprematism and the Founding of De Stijl 793
Architecture 795
Frank Lloyd Wright 795
Chapter Twenty
Between the Two World Wars 798
Timechart 798
Dada and Surrealism 799
Duchamp 800
America and the Precisionist View 803
Diego Rivera and the Mexican Muralists 805
In Context Orozco, Rivera and Siqueiros: Art and Politics 806
Breton, de Chirico and Ernst 808
Sources and Documents Louis Aragon, Max Ernst and Others Issue a Surrealist Declaration 809
Dali, Magritte and Miró 810
Welded Metal: A Revolution in Sculpture 813
Photography and Modern Movements 815
Sources and Documents Walter Benjamin on Photography 815
Constructivism, De Stijl and the International Style 819
Art and Revolution 819
The Bauhaus 821
Sources and Documents Walter Gropius on the Bauhaus 821
Mondrian 823
Le Corbusier and Mies van der Rohe 825
Urban Development Cities of the Future: Le Corbusier and Frank Lloyd Wright 826
Brancusi and Moore 828
Art Deco 830
Chapter Twenty-One
Post-War to Post-Modern 832
Timechart 832
Abstract Expressionism 833
Pollock and de Kooning 835
Still, Rothko and Neuman 837
European Survivors 840
Post-Painterly Abstraction 841
Jasper Johns and Robert Rauschenberg 843
concepts Modernism and Formalism 844
Pop Art 845
Photographic Imagery 848
Minimal Art 851
Conceptual Art 853
Arte Povera 855
Body Art and Process Art 857
Earth and Land Art 858
Photo-Realism and New Image Painting 861
Modernism and Post-Modernism 865
Chapter Twenty-Two
Into the Third Millennium 870
Timechart 870
Questioning Modernism 872
Neo-Expressionism 877
Art as Identity 883
Post-Modern Multiculturalism 888
Video and the Post-Medium
Condition 895
Photography and the Construction of Reality 899
Abjection 904
Function and Value 907
Function and ValueThe New Museums of Art908
Urban Development Berlin and its International Building Exhibitions 912
Art After Postmodernism 914
Globalization, Sensation
and Spectacle 921
The Turn of the Millennium 928
Glossary
For Further Reading
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